2013
DIRECTOR: JAMES DEMONACO
WRITER: JAMES DEMONACO
STARRING: ETHAN HAWKE, LENA HEADEY, MAX BURKHOLDER, ADELAIDE KANE, AND RHYS WAKEFIELD
It's way better than I expected! After all, it's not my movie ideas that are bombing and causing everyone to see past the scary previews and into the soul of the shitty plots of recent movies. Well, I am happy to say that this film lived up to its expectations plus more!
Since I have been urging people to see this, I will not spoil a single thing for you;) In return, I ask that after you watch it, read my second blog where I discuss specifics about the film.
This movie had everyone jumping in their seats from the moment they walked in until the credits began to roll. I have to admit, this is one of the most suspenseful movies I have ever laid eyes on. It certainly helped that the volume was BLASTING in AMC last night.
Twists and turns slice through the plot when you're least expecting it, and the problems that arise are overwhelming at times! The ending is a little predictable, but it really is not that relevant in the overall story. The plot is so intense that it didn't really matter how it ended. Oddly enough, I feel like the plot did not make or break this film because it is an original and unique movie.
ENJOY!
2011
DIRECTOR: MICHAEL GOI
WRITER: MICHAEL GOI
STARRING: RACHEL QUINN AND AMBER PERKINS
I stumbled across this film on Netflix while browsing for a horror flick I haven't seen yet. I put this on by fluke, and immediately realized it wasn't what I had initially expected. For some odd reason I was intrigued. I only had time to watch the first half, but my curiosity pushed me to finish it at a later sitting. My life is somewhat altered as a result.
I am still pondering if I find this recommendable or not. It somewhat reminds me of Kids from 1995 because its raw and disturbing scenes make it hard to watch, however, the message is so powerful I'm thankful I did. I absolutely suggest educating yourself about this movie prior to viewing it, which is why this will prepare you with the bulletproof vest full of spoilers!
Before watching the second half of this, I logged in to the handy IMDB where the real horror was exposed. If i didn't cheat with IMDB and Google, I think I would have been even more damaged from a particular image. An image I could not even stomach saving to my computer to post on this blog. Typically I search for the most shocking pictures on the internet for this blog, but not this time. It's far too sensitive and serious to justify any mockery.
WARNING! You will need a shower after reading this...
Megan is Missing features two girls in their early teens who are tortured, raped, and murdered shortly after being abducted by an internet predator. It is filmed with a hand held camera, giving it that realistic touch that documentaries do. Similar to The Blair Witch Project, it keeps you wondering if this really happened or not. While reading up on this, I learned that it is not completely true, however, it is based on a combination of several similar, true events. According to some viewer's reviews, I believe a strikingly similar story, including the blue bin and all, did occur in Portland, Oregon in 2002.
The two best friends get kidnapped separately, resulting in the first half of the movie revolving around their backgrounds and then all the questions and possibilities about the first girl going missing. The second half of the film is heart wrenching, as the viewer gets a front row seat to the torture the second girl endures. The "last 22 minutes" are unforgettable in the sense that we helplessly watch a child get molested prior to being buried alive in the same blue bin holding the bloody corpse of her best friend who was confined in a disturbingly demented sexual contraption before her death.
Contrary to much negative feedback I've read from the public, I have so many things to address and highlight. Even though I will NEVER watch this a second time, I have to say the shock value is touching enough to scare kids straight, or update their mindset and awareness of what monstrosity the internet can hold. Sometimes seeing the horror, as opposed to reading or hearing about it, reminds us that nobody, including children, is invincible and these things can happen to anyone at any second.
I can't pay enough compliments to Michael Goi, the writer and director of this film. Although the idea is based on true events, the way he told the story was unique and abstract. Although some scenes were long and drawn out, I feel like the feeling of the message was successfully delivered as a result of this. I don't know where he came up with some of these scenes, and more importantly, who the fuck constructed that torture chamber thing, but the message was certainly delivered.
Rachel Quinn is the actress who plays the girl in the "trap", and I cannot credit her enough. Props to her for being able to participate in this film because I do not think just anyone can brush off that feeling of humiliation with a simple director's "cut" call. I also am curious how long it took to strap that thing on her. Clearly I am still scarred.
I found the predator to be realistic and practical. His voice was soothing, and his story was frighteningly believable. People can sit here all day and claim they would never be that trusting and stupid, however, children are vulnerable and unaware of the reality of danger that exists in the world today.
In conclusion, I feel this movie is worth your time as long as you know what to expect when you watch it. If you are looking for something similar to Saw or Se7en, keep browsing because this may be disappointing, misconstrued, and underrated if it is advertised towards an inappropriate target audience and misplaced in the wrong genre.
2013
DIRECTOR: ANDRES MUSCHIETTI
WRITERS: NEIL CROSS (SCREENPLAY), ANDRES MUSCHIETTI, AND BARBARA MUSCHIETTI (SCREENPLAY AND STORY)
STARRING: JESSICA CHASTAIN, NIKOLAJ COSTER-WALDAU, AND MEGAN CHARPENTIER
I know it's Mother's Day weekend, but don't bother spending your cash on Mama.
With the current lack of horror flicks in the theaters and on DVD, I can't express the immensity of disappointment I felt after watching this. The potential glistened in the first fifteen minutes only to be shattered moments later. Let's face it...Mama's appearance just wasn't scary. It's 2013 and I can easily tell this budget was more than likely exploding in the millions category. Her presence was built up perfectly between the scary music and the pop up action, but unfortunately that frightening emotion was scattered away by an accidental comic relief. I've seen scarier halloween decorations and awkwardly convulsed more while playing those "scary prank games". Sorry, but her computer generated face makes me wonder if Michael Jackson is still alive.
The ending of a film is one of the most crucial points. It truly has the power to make or break a movie. Sorry to spoil it, but this ending was terrible. The children should have never been separated from each other, let alone the youngest of the two being swept off a cliff to her death. Seriously, what the fuck? It's just wrong in so many ways. I know this film was labeled with the eye-rolling sci-fi genre sticker, but it really couldn't be any more unrealistic in every aspect you look at it.
The day after I watched this cluster fuck, I vented about it to a friend. As I was filling in the general details about the story, I was reminded of how many unanswered and irrelevant happenings that occurred. Is it me or did we ever find out why the husband shot his wife and attempted to shoot his children? Also, what was Mama's motives? Yes, they showed us a glimpse of the last few seconds of her life, but what was her deal? I just cannot grasp what these writers were thinking. Not even enough to explain a synopsis effectively.
2007
DIRECTOR: DAVE MEYERS
WRITERS: ERIC RED (also screenwriter for the 1986 original film), JAKE WADE WALL, AND ERIC BERNT
STARRING: SEAN BEAN, SOPHIA BUSH, AND ZACHARY KNIGHTON
It was love at first sight with this movie. Initially I thought, finally the lead female role is played by a hot brunette. Then I met "the hitcher" and was terrified and fascinated all at the same time.
I recently watched the original, and must admit it was good considering its age. As big of a horror fan as I am, I still find great difficulty in watching older flicks because it's hard to place yourself in the character's shoes and get the shit scared out of you. Our generation is spoiled with special effects and modernized technologies to call for help with.
What I really like about this movie are the characters. Ironically, I feel like horror movies contain the least amount of character development Nobody watches a scary film to learn about the characters' past because we want to see blood. RIGHT NOW. Although we don't know much about the main characters in this movie, their actions and mannerisms tell us their story. I still want to stress how rare this is for this genre.
Sean Bean plays "the hitcher" and he is fucking scary. Personally, I think he makes the movie. His relentless violence, yet calmness are brilliant and makes me route for him in the end! Pretty much, I feel like his character naturally portrays a real life serial killer.
Sophia Bush plays the lead female role who finds herself running in circles in this sociopath's game of control. I actually like her and not just because she's beautiful. I think she's tough without being obnoxious and butched out, and she's easily likable as a result of her common sense. Her boyfriend on the other hand, is a pussy. I actually think his character is intentionally portrayed as the soft spoken, unaggressive type because that's the vulnerability "the hitcher" sniffed out when he targeted them. It is humorous when the boyfriend is called out on this.
There is one scene in this film that stretches my eyes open wide while my arm hair stands up like an ovation. Near the end there is a car chase scene where the police are trying to capture the boyfriend and girlfriend. Just when it seems like the couple is about to surrender to the shooting police cars and helicopter, that adrenaline rushing Nine Inch Nails song "Closer to God" starts playing. "The Hitcher" catches up to the commotion and takes every last fucking siren out. I am not a sucker for action scenes, but I can't help but to admire how bad ass this killer is!
1996
DIRECTOR: BRIAN GIBSON
WRITERS: GEORGE DAWES GREEN (NOVEL) AND TED TALLY (SCREENPLAY)
STARRING: DEMI MOORE, ALEC BALDWIN, ANNE HECHE, AND JAMES GANDOLFINI
Look out for the 90's classics! I love the nineties, and to be blunt, I fucking love this movie. I will make this blog short and sweet to avoid any spoilers.
Alec Baldwin's character is in connection with the mob. He targets Demi Moore's character, who is a juror in a mafia boss' murder case, and scares her into not only voting not guilty, but also convincing the rest of the jurors to do the same. Considering the mafia boss is clearly guilty of murdering a child nonetheless, this is a difficult task to accomplish. But nothing is impossible when your child's safety is threatened.
The Baldwins are so cool. Alec masters every link to fooling everyone with his spineless charm, looks, and intimidation techniques. He's cool with those dangerously evil pupils that live in serial killers' eyes. He's the type of character I route for in the end even though it collides with the typical happy ending. I dig it!
I just really enjoy how creepily realistic this film is. The whole idea of randomly being picked and preyed upon to do something so cruel and against all morals is friggin' terrifying. It's bone chilling to think what I can be capable of when my most loved one's life is on the line. I feel like most people, including myself, would do whatever it takes to keep them safe.
There's a few unexpected twists and turns, but the practicality of the story line remains constant throughout the end. Definitely a great Netflix choice!
2012
DIRECTOR: MARK TONDERAI
WRITERS: DAVE LOUCKA (SCREENPLAY) AND JONATHAN MOSTOW (STORY)
STARRING: JENNIFER LAWRENCE, ELISABETH SHUE, MAX THIERIOT, AND EVA LINK
I bet if the title of this contained just an ounce of thought twisted with some creativity, it would be drenched with positive reviews. I almost decided against contributing another five dollars to the Pay Per View bank, but the trailer pushed me otherwise. Good thing because there is a better chance of me using my DVDs as hockey pucks than paying to watch a PG-13 horror movie. That kind of rating means no boobs, no sex scenes, and minimal blood and violence. Uhh, these are probably the sole seasons why this genre puts bodies in the movie theater seats.
The movie is about a mother and daughter who move into a new home that is located near a house with a horrifying past. A few years earlier, a young girl murdered her parents and was never seen again. Some people assume she drowned trying to run away, but others insist she lives in the woods nearby. And obviously and thankfully for the sake of our attention deficit disorders, shit goes haywire.
I love how creepy the murdering girl is, but don't get mislead and picture a disturbingly deformed face. The bone chilling feeling that overcomes your body is a result of seeing eyes made of pure evil. In all seriousness, I'd rather see Jason from Friday the 13th running at me with a machete than this bitch.
The best parts of this film are the beginning and the end. If it's been more than fifteen minutes in a horror movie and nobody died yet something is very wrong. Blood and death must be introduced immediately! This was successfully portrayed, and better yet, the ending was a true shocker. Mystery killers can always be suspected, but the twist in this movie that I'm referring to is an unseen slant in the plot. It's difficult to explain without spoiling the egg, but trust me when I say it makes you look at some characters differently and shift your sympathy in an opposing manner.
Even though there was not much blood to rave about, or boobs for that matter, the movie makes sense, flows well, and scares the shit of you a few times. Finally, I would like to address something that is quite rare in this genre. The main character who plays the new daughter in town is not a bimbo like all the stereotypes make you believe. She's doesn't even have that passive and vulnerable personality as most girls in her role do. I thought this was a cool touch because you never really find yourself disagreeing with her actions. In other words, this bitch never runs past the front door and up the stairs to escape a killer.
2012
DIRECTOR: JOHN LUESSENHOP
WRITERS: ADAM MARCUS, DEBRA SULLIVAN, AND KRISTEN ELMS (SCREENPLAY). STEPHEN SUSCO, ADAM MARCUS, AND DEBRA SULLIVAN (STORY). KIM HENKEL AND TOBE HOOPER (CHARACTERS).
STARRING: ALEXANDRA DADDARIO, TANIA RAYMONDE, AND SCOTT EASTWOOD
Leatherface is back and is surprisingly cooler than ever! I saw this movie the weekend it came out...I strategically missed every single preview as a result of watching a lesbian lovers quarrel take place in the parking. From this moment on I knew this movie date was an instant win!
I can't honestly say that I've watched the original film, although I'm 99% sure it resides in my DVD collection. I was never a fan of the sequels that came out, with the exception of the 2003 remake that starred Jessica Biel. This most modernized version held its own little slice of originality. Oh, and let's pretend this movie isn't in 3D because my loathe for wearing those instant migraine, sorry excuse for glasses is long enough for its own blog site.
Pretty much, it started out with the main character finding out she's adopted and is a cousin of Jed, better known as Leatherface. She inherits the estate where her grandmother lived after being one of the two sole survivors of a fire the town people set on their original home. Obviously, the big-tittied main character missed the memo that Leatherface was the second survivor.
Eventually the house turns into a bloody clusterfuck with dead bodies everywhere, but if this didn't happen, many people including myself would have left the theater without their psychotic thirst for blood quenched. More importantly and significantly, there are a few aesthetics I mentally noted!
I say this in every blog...I love flashbacks and they were scattered throughout the movie. When the title came on screen in the beginning it flew through the theater as all 3D titles do, but this one was more like slices rather than an explosion. This foreshadowing told me there would be a significant slice in the movie. As expected there were many chainsaw slices that took place, however, there was one scene in the end that I feel was crucial.
In the beginning, while the main characters were driving to the estate, they passed roadkill. The camera paused on this roadkill for enough seconds to make me think it must mean something. I won't be able to figure it out until I buy the DVD where I have the ability to pause, but something tells me it was more than just a couple of dead possums or whatever they were. Perhaps the fact that there were two animal bodies foreshadowed that a second survivor came out of the fire, which would be Leatherface. Or maybe the roadkill are animals that are known for being really family oriented...this would make sense because of the little twist in the end where Leatherface actually has a conscience. Orrr maybe I'm thinking too much into this...
Sorry to spoil the end, but I have to say it...I loved how Leatherface didn't kill his cousin. I totally dig this for two reasons. One is this never happens. Jason Voorhees, Freddy Krueger, and Michael Myers never purposely left a survivor. The second reason I like this is because it is realistic that a serial killer did not look at his family as their next victims. I never heard that Ted Bundy killed any of his family members...or Dexter for that matter haha.
I did enjoy this movie, however, I wish there were more unique killing scenes. I loved how a victim was hiding in a quiet coffin only for the silence to be shattered by the chainsaw coming through the wood! There should have been more of these scenes! In the beginning, the main characters pick up a hitch hiker that obviously led to more trouble for them, but what the fuck was the relevance of this? I think that whole concept should have been chopped in the first draft. Those minutes would have been much better spent on more in depth and bloodier torture scenes!
I feel like this movie got terrible reviews and is said to be predictable, but seriously, what else is supposed to happen in a Texas Chainsaw remake that isn't expected? I thought the unique touches were coo; and it was a scary success!
